Atlanta
Paper: Real and Performed Egyptians in James Sanua’s The Unfaithful Husband
Yesterday in Atlanta, GA, I participated in the working group session "(Re)presenting Muslim Bodies of Performance" during the American Society for Theatre Research Conference “Extra/Ordinary Bodies: Interrogating the Performance and Aesthetics of ‘Difference.’” I talked about a play by James Sanua, seen as the father of modern day Egyptian theatre.Featured Shows
Tics, or Doing the Deed by René Berton
The Flea Theater, New York City. The Fall season of 2014 at The Flea was dedicated to the Cutthroat series, eleven Grand-Guignol plays organized in four pods. Each of them replicated.. Read more
The Cherry Orchard by Anton Chekhov
Theaterlab, New York City. The 110th anniversary of The Cherry Orchard prompted me to stage this phenomenal play with my company, on the exact dates of the anniversary of its premiere.. Read more
The Liar by Carlo Goldoni
Kline Theatre, Gettysburg College, Gettysburg, PA. The Theatre Arts Department at Gettysburg College asked me to direct a mainstage production during the 2008-09 season. Thus, I adapted.. Read more
