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November 18, 2017 Posted by padrone1122 in Conferences, Papers

Paper: Real and Performed Egyptians in James Sanua’s The Unfaithful Husband

Yesterday in Atlanta, GA, I participated in the working group session "(Re)presenting Muslim Bodies of Performance" during the American Society for Theatre Research Conference “Extra/Ordinary Bodies: Interrogating the Performance and Aesthetics of ‘Difference.’” I talked about a play by James Sanua, seen as the father of modern day Egyptian theatre.