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Ohio lmpromptu by Samuel Beckett

Some obscure black-box room in snowy Madison, Wisconsin
In this theoretically infused production I worked with Stephen O’Connell, a talented MFA actor, to deconstruct the idea of “presence” by having the actor play both parts of the play, first in front of a mirror, then to a video of himself previously recorded.
Below you can find both the final product and a series of steps that led to it. For a director, the process is at least as important as the “end” result.

Final presentation

Rehearsals

The first day of rehearsal was a lot about finding various approaches to the text in a constant process of exploration, starting with the alliterative sounds in the play. Although the video is not always in focus – directing and filming at the same time is not advised 😉 – this rehearsal demonstrates a post-modern style of acting/directing that does not ever come to a closure, while at the same time never giving up on potential further meanings. It also details the game of mirrors that will produce the final video.
The second day we tried to gauge the boundaries of the text, from a jazz version to a more expressive one with words only, up until an esoteric experiment of inner displacement in front of a mirror (first part). Finally we tapped into the forces of the four elements: water, air, fire, earth with surprising results (second part).
The third day’s rehearsal tried to blend all layers previously explored, but was also mostly devoted to figuring out how to record a video of the Listener to be played, later, to the same actor playing the Reader.