Username:

Password:

Forgot Password? / Help

Plays Portfolio 1 - Classic Italian

0

Pirandello's The Giants of the Mountain

Theaterlab, New York City.
On October 15, 2013 the Pirandello Society of America sponsored a reading I adapted and directed of Pirandello's The Giants of the Mountain. This is a “myth” between fable and reality that Pirandello continued to imagine, write, and rework from 1929 to 1934, but eventually left unfinished despite encouraging contracts with American impresarios. Yet, in its present form, the play vibrates with the powerful contradictions of sublime Art torn between the inner necessity to reach out to spectators who may not understand it and the temptation to abandon the world altogether. It was, in the playwright’s opinion, the culmination of his artistic endeavors.
The reading took place at Theaterlab and it was part of the series "NOT Made in Italy - Creativity as Displacement" and of the celebrations for the Year of Italian Culture in the United States.
For the evening's program in pdf, click here.
"Cotrone" and "Diamond" by David Pullmann
"Shaw Shower" and "Milordino" by David Pullmann
"Battle" and "Spizzi" by David Pullmann
"Ilse" by Alan Bessen
  • 0
  • 1
  • 2
  • 3
#FFCC00fadetrue
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
#FFCC00fadetrue

0

The Liar by Carlo Goldoni

Kline Theatre, Gettysburg College, Gettysburg, PA.
The Theatre Arts Department at Gettysburg College asked me to direct a mainstage production during the 2008-09 season. Thus, I adapted and translated the play into English in collaboration with Susan Russell, Chair and Professor of Theater Arts. The action was set in contemporary California and the Italian aristocracy was transformed into its American counterpart based on wealth.
Also, in line with Goldoni's biography, I imagined that the playwright himself was writing in a haste, in order to keep his promise of delivering as many as 16 new comedies during a single season, and thus win a bet against his competitors. Since everything was being created on the spot, the actors received their parts page after page and the set itself was brought in piece by piece and moved around as the play developed. You can read more in my director's notes here.
Since we were dealing with lying at its "best", I asked each member of the production to write a biographical note with a twist, and include a half lie and a full-blown one. You can read the entire program here: try to find the lies! Some are really funny and you can probably tell without knowing the person directly.
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
#FFCC00fadetrue

The Season's Playbill

  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
#FFCC00fadetrue

0

Chaz (from Luigi Pirandello’s Cece')

Stevens Theatre, Gettysburg College, Gettysburg, PA
An adaptation in four parts for the students of my Modern Italian Theatre course. Based on a list of physical actions, we devised and rewrote four versions of the same play set, in turn, in an informal college environment, a morbid Eighteenth century, a flashback from the point of view of one of the minor characters, and finally a puppet world.
An account of the theory underlying this course can be found in my article “The Short Play and Postmodernist Stage Directing: A Virtual Experiment with Pirandello’s Cecè.” published in Quaderni d’Italianistica 32.2 (2012)
Hover to see inside of tri-fold for the performance
0

The Giants of the Mountain by Luigi Pirandello

Teatro del Tempo, Parma, Italy.
With members of the Numeriprimi Company, I organized a public lecture about Pirandello's The Giants of the Mountain (I giganti della montagna) for the students of the Italian Lit course at the University of Parma (Prof. Marzio Pieri). It included a dramatized reading, with actors working vocally to portray the many roles each of them was called to play. While stage directions were read aloud, a visual artist drew each character on a large sheet, building up to the impressive final scene where each of them was visible simultaneously around the theatre.
Read an article published by the Gazzetta di Parma (in Italian) here
0

A Coffee in Suspense from Eduardo De Filippo

Spazio Ludialydiis. Milan, Italy
This was a stimulating collaboration with Cecilia Vecchio, an actress from Teatro della Tosse (Genova), on a dramaturgy juxtaposing several female characters from Eduardo De Filippo’s oeuvre. I collaborated on this project to weave the different scenes into a coherent performance, which became Un caffè sospeso, a reference to the Neapolitan tradition of leaving a cup of coffee paid for, for the next customer who might need a free one.