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Resident Artist

Resident Artist: Your [____] Neighborhood

Center for Performance Research, NYC
Between April and May 2015 I was invited to my second artist residency with Forwardflux for three weeks of intense collaborative exploration of how neighborhoods are transformed, gentrified, or even colonized. Through meetings once a week with the whole group of participants and more intimate rehearsals with two smaller groups, for the first time I worked as dramaturg of a dance piece, Changing Neighborhoods.
For the exhibition program, click here.

Changing Neighborhoods

Center for Performance Research, NYC
In April/May 2015 I collaborated as dramaturg and director with three performer-choreographers – Lori Hamilton, J Reese, Sarah Starkweather – and musician Ken Kruper on a dance piece that tries to capture the spirit of a neighborhood as it changes over time. New people are first attracted and then pushed out in a constant recursive flux that materializes at different times during the exhibition through movement and music. This dance piece was created during the Your [_____] Neighborhood residency produced by ForwardFlux.
See the full post here.
January 15, 2015 in Director, Resident Artist

Tics, or Doing the Deed by René Berton

The Flea Theater, New York City.
The Fall season of 2014 at The Flea was dedicated to the Cutthroat series, eleven Grand-Guignol plays organized in four pods. Each of them replicated the concept of the douche écossaise, a mix of gory and lustful pieces. Not only did the title of the series apply to the stories portrayed, it also meant that each evening the audience voted for the best play, eliminating the others.
I directed Tics, or Doing the Deed (Apres Coup!... ou Tics) by René Berton with a cast of BATS, the resident company. In this outright farce, animal instincts resurface and human impediments disrupt the tranquil and boring routines of the bourgeoisie in the country. Everything ends with a loud and chaotic pandemonium.
See the full post here.
November 6, 2014 in Director, Resident Artist

The Cutthroat Series: Grandguignol Duels at The Flea

The Flea Theater, New York City.
The Fall season of 2014 at The Flea was dedicated to the Cutthroat Series, eleven Grand-Guignol plays organized in four pods. Each of them replicated the concept of the douche écossaise, a mix of gory and lustful pieces. I directed Tics, or Doing the Deed (Apres Coup!... ou Tics) by René Berton with a cast of BATS, the resident company.
Not only did the title of the series apply to the stories portrayed, it also meant that each evening the audience voted for the best play, eliminating the others. Tics received the most votes and was extended for a run in January 2015 for the Winners' Victory Lap.
See the full post here.
October 16, 2013 in Director, Resident Artist

Pirandello's The Giants of the Mountain

Theaterlab, New York City.
On October 15, 2013 the Pirandello Society of America sponsored a reading I adapted and directed of Pirandello's The Giants of the Mountain. This is a “myth” between fable and reality that Pirandello continued to imagine, write, and rework from 1929 to 1934, but eventually left unfinished despite encouraging contracts with American impresarios. Yet, in its present form, the play vibrates with the powerful contradictions of sublime Art torn between the inner necessity to reach out to spectators who may not understand it and the temptation to abandon the world altogether. It was, in the playwright’s opinion, the culmination of his artistic endeavors.
See the full post here.
May 25, 2013 in Director, Resident Artist

The Tortured One by Jason Sofge

Theaterlab, New York City.
The Tortured One was developed for the May 2013 Forward Flux collaborate:create "Power of Silence" 3-week residency at Theaterlab. For more info click here. With David Riley and Joyana Feller.
As we struck up a conversation on our first meeting, Jason Sofge had an idea for a character to be able to use silence as a weapon. In this harsh power struggle, one character would always speak, while the other would remain silent throughout.
See the full post here.

Cherry Blossoms (from Chekhov)

Theaterlab Gallery, New York City.
Cherry Blossoms was developed for the May 2013 Forward Flux collaborate:create "Power of Silence" 3-week residency at Theaterlab. For more info click here. With Rebecca Tucker and Kelly Sloan.
I see silence as the zero-point energy of theatre, the point where everything can be created from nothing. How can a short scene expand – and to what extent – into a longer piece, and at what distance lines and fragments of the text can still cohere or instead become other? To attempt a response to this question, in “Cherry Blossoms” I explored the silence between lines and words, as a place for events to occur in the absence of speech.
See the full post here.
May 25, 2013 in Actor, Director, Resident Artist

Resident Artist: The Power of Silence

Theaterlab, New York City
In April 2013 I was selected as one of the 20 resident artists for a three week marathon on the theme "The Power of Silence" produced by Forwardflux at Theaterlab in New York City. This was an awesome experience made of fruitful discussion and unexpected discoveries, but most of all of intense collaboration with artists from many disciplines, including visual arts, dance, and even advanced mathematics. Additionally, since I was involved in 4 projects overall, I enjoyed stepping out of my usual role of director and perform as actor in a couple of them.
For more info, pics and videos, click here.
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