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Articles and Book Chapters

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Academia.edu

  1. "Theater and Theatricality in Italian Literature and Visual Media." L’anello che non tiene, 24.1-2 (2012): 9-11.

  2. “The Short Play and Postmodernist Stage Directing: A Virtual Experiment with Pirandello’s Cecè.” Peer reviewed. Quaderni d’Italianistica 32.2 (2011): 159-82.

  3. “Clothes (Don’t) Make the (Wo)Man: Costume as Mask and Identity in Enrico IV and Nostra Dea.” Peer reviewed. PSA (Pirandello Society Annual) 24 (2011): 43-62.

  4. “The Italian Linguistic Continuum for the Stage: The Challenges of Translating Carta canta by Raffaello Baldini.” Peer reviewed. TSJ Translation: A Translation Studies Journal 3 (2011): 32-46. University of California-Santa Barbara. Full text here.

  5. “Prima dell’‘effetto Rashomon’: Pino Masnata e l’esperimento di Francesca da Rimini” (“Before the ‘Rashomon Effect’: Pino Masnata and the Francesca da Rimini Experiment”). Peer reviewed. Fulvio Orsitto, ed. L’Altro e l’Altrove nella cultura italiana. Cuneo: Nerosubianco, 2011. 148-57.

  6. “The Intertextual Short Play: An Example Using Verga’s Cavalleria rusticana and Capuana’s Il piccolo archivio.” Peer reviewed. This article first appeared in MLN (Modern Language Notes) 126 (2011): 47-73. Copyright © 2011 The Johns Hopkins University Press. Full text available here

  7. “The Multiple Realities of the One-Act Play in Translation: Pirandello’s The Man with the Flower in His Mouth.” Peer reviewed. Journal of Italian Translation 5.2 (2010): 8-41. Full text here

  8. “Le didascalie tradotte alla prova: George Bernard Shaw e le versioni italiane dei Plays Pleasant e Unpleasant.” (“Stage Directions in Translation: George Bernard Shaw and the Italian versions of the Plays Pleasant and Unpleasant”). Peer reviewed. Testo a fronte 44 (2011): 97-126.

  9. “Virtual Theatres in Miniature Rooms: The Early Italian Dialogic Sonnets.” Peer reviewed. Italica 88.4 (2011): 499-514. Full text here.

  10. “The Synthetic Bard: Dramatic Synthesis from the Futurists to The Reduced Shakespeare Company.” Peer reviewed. Polymath, 1 (2011): 1-29. Full text here

  11. “Planes of Reality: Modernist One-Act Plays by Verga, D’Annunzio, and Pirandello.” Peer reviewed. L’anello che non tiene, 23.1-2 (2011): 69-86.

  12. “The Pirandello Society’s Website.” Pirandello Society Annual 23 (2010): 7-9.

  13. The Liar: Walking on Water.” The Prompter, 46.3 (2009): 2-3.

  14. “La traduzione teatrale.” ("Translation for the Theatre"). Peer reviewed. Testo a fronte 15 (1996): 63-80. Republished in Buffoni, Franco, ed. Traduttologia: La teoria della traduzione letteraria. Roma: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 2006. 625-42.

  15. Production notes on Màcbèth in Pre-visioni – I registi di domani alla prova, School of Dramatic Art Paolo Grassi, 1998.

Edited Journals

  1. European Stages 2 (2014), The Martin E. Segal Theatre Center, New York City – Managing Editor.

  2. European Stages 1 (2013), The Martin E. Segal Theatre Center, New York City – Managing Editor.

  3. L'Anello Che Non Tiene: Journal of Modern Italian Literature. Vol. 24, nn. 1-2. Special Issue "Theater and Theatricality in Italian Literature and Visual Media" – Guest Editor.

  4. PSA Pirandello Society Annual XXV (2012). Editor.

  5. Translation. A Translation Studies Journal. Vol. 3 (2011) “Translating Dialects.” University of California, Santa Barbara. Guest Editor.

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