Forgot Password? / Help

Plays Portfolio 2 - Shakespeare


The Two Gentlemen of Verona (from Shakespeare)

Teatro del Tempo, Parma, Italy.
I was called by Numeriprimi, a company of young actors who had just graduated from a professional course supported by the European Union. I chose The Two Gentlemen of Verona based both on the composition of the group and the script’s opportunities for experimenting with physical theater. Each song is a Shakespearean sonnet, translated into Italian. With original music by Marco Caronna, played by Luca Savazzi, the show came to resemble a musical.
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
Below you find both an 8 minute promo video and, if you have a fast connection, the two parts of the full show:


Part 1

Part 2


Hamlet in Raimondo's Castle (from Shakespeare)

Montecuccoli Tower, Pavullo and Monteceneri Tower, Lama Mocogno, Modena, Italy
This site-specific Hamlet summer project was held at two historical locations, very different spatially, a remodeled castle that normally functioned as a museum hall and a multi-level medieval tower near Modena, Italy. I directed Act III in a postmodern experimental way: for instance, the dialogue between Hamlet and the Queen (scene 4) occurred three times, in separate versions that spanned the range between ironic detachment and intense emotional involvement. Overall, my interpretation of the whole act derived by a sense that every character is constantly under surveillance and every scene is being watched by someone else within the world of the play. For the same project, I appeared as one of the play-within-the play masked actors.

Tie Up That Shakespeare! (Shakespeare da legare)

Teatro della Memoria, Milan, Italy.
For a while I collaborated with an energetic company of young actors, I Mercenari in Milan, Italy. This show took its title from the fact that many scenes from different plays were tied together in the context of an asylum, which gave us a lot of freedom in experimenting. The show had quite a few versions adapted for different types of venues, from regular theatres to outdoor settings and dinner theatres.
With all the Bard’s words, the most impressive scene remained the final silent one, where all the performers gradually wrapped themselves up as a group in a long yellow sheet. Here is where I came to fully realize the power and intensity of images.